“Smash”: A old, grizzled lady’s perspective
It’s obvious from the zillions of dollars NBC has spent “introducing” all of us to Katharine McPhee, a singer we actually all met almost 10 years ago, that she’s supposed to be the actress you’re rooting for in “Smash” and its fictional race to find the lead in the fictional “Marilyn The Musical.”
There’s nothing fictional about Kat’s talent – her voice is smooth, powerful yet subtle, and she’s got a gorgeous face and a great body. As the runner-up “American Idol” she embodied that American dream of being whisked from obscurity to fame in the length of a television season, and it’s clear that Karen, the spunkity Iowa-bred waitress with a song in her heart and a tray on her hip is the ingenue of all ages. It seems telegraphed that she should be the one to play the famously talented but fragile Miss Monroe.
And yet…
…I don’t want her to be. My heart is with Karen’s competitor, the person who (for the moment) actually has the part – Broadway chorus veteran and insecure maker of some bad choices Ivy, played by Broadway vet Megan Hilty. And I can’t help but believe that I prefer her, bad choices and all, over the newbie, because I’m not a newbie anymore.
Yeah, I’ve made it about me. What of it? That’s what we do. And so I have no trouble admitting that even though Kat McPhee is an incredibly talented vocalist, she’s always left me a little cold. And as sweet and spunkalicious as Karen is – and as much as the Disney Princess in me loves stories about magical discoveries that instantly change lives overnight, I have a soft spot for the plugger, the veteran who’s strapped on those character shoes and those crazy costumes, several shows a week. The slightly jaded but realistic girl who still believes in a dream, but has less illusions about what it takes to get it.
Of course, Ivy’s made some questionable decisions, like I said – she’s sleeping with her director, and I can tell you without giving a whole lot away that she doesn’t deal with her casting triumph in the most mature manner. And she might not be the nicest person in the world. But if nice was a determiner of success in the entertainment industry – well, y’all would be watching fingerpainting in caves, because there wouldn’t be any entertainment.
That aside, I relate to both women- I was a bright-eyed, bushy-tailed young reporter once, and I rose up the ranks at an admirable clip, but with an amazing amount of work and sacrifice in places that were not the most glamorous, because the work meant something. And I admit to being sometimes a little jealous of people who seemed to have been handed assignments or schedules or cushy jobs that I would have loved. I believe that no job is worth subterfuge and nastiness, but I know that fatigue and desperation might sometimes cloud one’s judgement.
Anyway, the fairytale I like even more than the new girl sweeping in and getting all of her wishes granted is of the fairy godmother who gets, for once, to be on the receiving in of those wishes, after years of supporting other people’s dreams.









